This premium giclée print, an upgrade from the standard giclée print, is produced on thick (310 gsm), textured watercolor paper made from alpha cellulous wood pulp that is acid free. It shares the same vivid colors, accuracy, and exceptional resolution that make giclée prints the standard for museums and galleries around the world. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto a high-quality paper. The smooth transitions of color gradients make giclée prints appear much more realistic than other prints.
This premium giclée print, an upgrade from the standard giclée print, is produced on thick (310 gsm), textured watercolor paper made from alpha cellulous wood pulp that is acid free. It shares the same vivid colors, accuracy, and exceptional resolution that make giclée prints the standard for museums and galleries around the world. Giclée (French for “to spray”) is a printing process where millions of ink droplets are sprayed onto a high-quality paper. The smooth transitions of color gradients make giclée prints appear much more realistic than other prints.
This premium poster is a reproduction printed on premium grade poster paper, which is far thicker than standard poster paper. With brilliant color and a high level of detail, premium posters are an excellent option for the value seeker as well as for seasonal décor.
This premium poster is a reproduction printed on premium grade poster paper, which is far thicker than standard poster paper. With brilliant color and a high level of detail, premium posters are an excellent option for the value seeker as well as for seasonal décor.
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Frame It
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This premium poster is a reproduction printed on premium grade poster paper, which is far thicker than standard poster paper. With brilliant color and a high level of detail, premium posters are an excellent option for the value seeker as well as for seasonal décor.
About the Artist
French artist Henri de Toulouse-Lautrec (1864 – 1901) vividly depicted the revelry of 19th century Parisian nightlife in paintings and posters. After injuring both legs in his early teens, Toulouse-Lautrec immersed himself in art while he recovered. He later entered the bohemian world of Paris’ Montmartre, painting its colorful cross-section of inhabitants, circuses, dance halls, nightclubs and racetracks. Toulouse-Lautrec began to exhibit widely, and Vincent Van Gogh’s brother Theo was one of his biggest supporters. While institutionalized for alcoholism, he created an extraordinary group of circus drawings which he created solely from memory.