As general counsel for the American Civil Liberties Union, Arthur Garfield Hays worked alongside Clarence Darrow in the 1925 Scopes trial and participated in the notorious case of the Italian anarchists Sacco and Vanzetti in 1927. Nickolas Muray's photograph, which appeared in the August 1931 Vanity Fair, shows Hays looking up at the camera holding his pipe and wearing a half-smile.
Digitally Printed on Archival Photographic Paper resulting in vivid, pure color and exceptional detail that is suitable for museum or gallery display.
As general counsel for the American Civil Liberties Union, Arthur Garfield Hays worked alongside Clarence Darrow in the 1925 Scopes trial and participated in the notorious case of the Italian anarchists Sacco and Vanzetti in 1927. Nickolas Muray's photograph, which appeared in the August 1931 Vanity Fair, shows Hays looking up at the camera holding his pipe and wearing a half-smile.
Digitally Printed on Archival Photographic Paper resulting in vivid, pure color and exceptional detail that is suitable for museum or gallery display.
As general counsel for the American Civil Liberties Union, Arthur Garfield Hays worked alongside Clarence Darrow in the 1925 Scopes trial and participated in the notorious case of the Italian anarchists Sacco and Vanzetti in 1927. Nickolas Muray's photograph, which appeared in the August 1931 Vanity Fair, shows Hays looking up at the camera holding his pipe and wearing a half-smile.
Digitally Printed on Archival Photographic Paper resulting in vivid, pure color and exceptional detail that is suitable for museum or gallery display.
As general counsel for the American Civil Liberties Union, Arthur Garfield Hays worked alongside Clarence Darrow in the 1925 Scopes trial and participated in the notorious case of the Italian anarchists Sacco and Vanzetti in 1927. Nickolas Muray's photograph, which appeared in the August 1931 Vanity Fair, shows Hays looking up at the camera holding his pipe and wearing a half-smile.
Digitally Printed on Archival Photographic Paper resulting in vivid, pure color and exceptional detail that is suitable for museum or gallery display.
As general counsel for the American Civil Liberties Union, Arthur Garfield Hays worked alongside Clarence Darrow in the 1925 Scopes trial and participated in the notorious case of the Italian anarchists Sacco and Vanzetti in 1927. Nickolas Muray's photograph, which appeared in the August 1931 Vanity Fair, shows Hays looking up at the camera holding his pipe and wearing a half-smile.
The premium giclée print is produced on thick (310 gsm), textured watercolor paper made from alpha cellulous wood pulp that is acid free. It shares the same vivid colors, accuracy, and exceptional resolution that make giclée prints the standard for museums and galleries around the world.
The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.
The stretched canvas print is the result of sophisticated digital printing technology in which the image is printed directly onto an artist-grade, 100% cotton canvas. The canvas is then expertly stretched around 1.5" wooden bars and carefully finished with hand-painted edges. An acrylic coating protects the stunning giclée print from dust, moisture and fading. (Canvas may not be available for all prints.)
As general counsel for the American Civil Liberties Union, Arthur Garfield Hays worked alongside Clarence Darrow in the 1925 Scopes trial and participated in the notorious case of the Italian anarchists Sacco and Vanzetti in 1927. Nickolas Muray's photograph, which appeared in the August 1931 Vanity Fair, shows Hays looking up at the camera holding his pipe and wearing a half-smile.
The premium giclée print is produced on thick (310 gsm), textured watercolor paper made from alpha cellulous wood pulp that is acid free. It shares the same vivid colors, accuracy, and exceptional resolution that make giclée prints the standard for museums and galleries around the world.
The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.
The stretched canvas print is the result of sophisticated digital printing technology in which the image is printed directly onto an artist-grade, 100% cotton canvas. The canvas is then expertly stretched around 1.5" wooden bars and carefully finished with hand-painted edges. An acrylic coating protects the stunning giclée print from dust, moisture and fading. (Canvas may not be available for all prints.)
As general counsel for the American Civil Liberties Union, Arthur Garfield Hays worked alongside Clarence Darrow in the 1925 Scopes trial and participated in the notorious case of the Italian anarchists Sacco and Vanzetti in 1927. Nickolas Muray's photograph, which appeared in the August 1931 Vanity Fair, shows Hays looking up at the camera holding his pipe and wearing a half-smile.
The premium giclée print is produced on thick (310 gsm), textured watercolor paper made from alpha cellulous wood pulp that is acid free. It shares the same vivid colors, accuracy, and exceptional resolution that make giclée prints the standard for museums and galleries around the world.
The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.
The stretched canvas print is the result of sophisticated digital printing technology in which the image is printed directly onto an artist-grade, 100% cotton canvas. The canvas is then expertly stretched around 1.5" wooden bars and carefully finished with hand-painted edges. An acrylic coating protects the stunning giclée print from dust, moisture and fading. (Canvas may not be available for all prints.)
As general counsel for the American Civil Liberties Union, Arthur Garfield Hays worked alongside Clarence Darrow in the 1925 Scopes trial and participated in the notorious case of the Italian anarchists Sacco and Vanzetti in 1927. Nickolas Muray's photograph, which appeared in the August 1931 Vanity Fair, shows Hays looking up at the camera holding his pipe and wearing a half-smile.
The premium giclée print is produced on thick (310 gsm), textured watercolor paper made from alpha cellulous wood pulp that is acid free. It shares the same vivid colors, accuracy, and exceptional resolution that make giclée prints the standard for museums and galleries around the world.
The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.
The stretched canvas print is the result of sophisticated digital printing technology in which the image is printed directly onto an artist-grade, 100% cotton canvas. The canvas is then expertly stretched around 1.5" wooden bars and carefully finished with hand-painted edges. An acrylic coating protects the stunning giclée print from dust, moisture and fading. (Canvas may not be available for all prints.)
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As general counsel for the American Civil Liberties Union, Arthur Garfield Hays worked alongside Clarence Darrow in the 1925 Scopes trial and participated in the notorious case of the Italian anarchists Sacco and Vanzetti in 1927. Nickolas Muray's photograph, which appeared in the August 1931 Vanity Fair, shows Hays looking up at the camera holding his pipe and wearing a half-smile.
Digitally Printed on Archival Photographic Paper resulting in vivid, pure color and exceptional detail that is suitable for museum or gallery display.
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